Calligraffiti

Black permanent marker ink on polypropene film (± 55 x 35 cm).

Vector art for proposal for the Belgian beer brand.

Black/blue permanent marker ink on polypropene film (± 50 x 70 cm).

Black, blue and red permanent marker ink on polypropene film (± 70 x 55 cm).

Black and red permanent marker ink on polypropene film (± 70 x 55 cm).

Black permanent marker ink on polypropene film (± 35 x 55 cm).

Black permanent marker ink on polypropene film. (± 70 x 40 cm). For writer/journalist James Worthy (Dutch only).

Vector art for logo proposal.

Vector art for T-shirt print for the New Museum, New York. Look for it –and the Calligraffiti book– in their shop.

Small back print. NSM took on a new meaning.

The first general ‘call to disobey’ letter. Parallel Pen on paper, ± 30 x 40 cm (inverted).

Letter to the Cobra Museum in Amstelveen in front of ‘Declining Nude with Ursus Major’. Parallel Pen on paper, ± 30 x 40 cm (inverted). Photo by Bas Uterwijk.

Letter to auction house Christie’s. Parallel Pen on paper, ± 30 x 40 cm (inverted).

The Hamsterdam letter. Parallel Pen on paper, ± 30 x 40 cm (inverted).

One of three ‘posters’ (inverted) for the group exhibition and auction Posters of Fortune at the Type Directors Club, New York. All three were done with red and black permanent marker ink on polypropene film. Check out the website to participate in the auction and see the other Posters of Fortune.

A fortune cookie (unopened) was sent to every artist/designer as a brief for the text.

The impressive book The History of American Graffiti has 400 insightful pages about, well… American Graffiti. These two pages set the record straight about the way it influenced its European counterpart. Apologies for the blurry scans.

Carbon black acrylic on linen (120 x 135 cm).

Black permanent marker ink on Chromolux paper (± 70 x 35 cm).